Decline's Drops (PC, NSW, XBS) Review

We now turn our attention away from Mega Man for a little bit for a review of a game that's been on PC via Steam and itch.io for a bit and has only recently released on consoles, specifically the Nintendo Switch and Xbox Series X|S. This game is Decline's Drops, and despite its name, you might find yourself INclined to play this game after reading the SuperPhillip Central review!

This platformer's got some serious punch

Decline's Drops stars Globule, a mute wooden puppet who one day is tending to her lovely garden when all of a sudden, said garden is destroyed! Thus, Globule sets out to discover the perpetrators and their whereabouts to rightfully deliver some justice through her giant punching glove fists. The story is pretty scarce overall (a plus for me, as in a platformer I want to get straight to the action without much in the way of interruptions), save for the opening and ending cutscenes, and dialogue during boss battles, but the game does a nice job of providing a satirical take on concepts like pollution and corporate greed without feeling ham-fisted.

Take the gameplay of Super Smash Bros. and combine that with the platforming and secrets of Yoshi's Island, and you somewhat get an idea of what Decline's Drops is all about. Globule has her aforementioned punching gloves to bash and beat baddies to a pulp with a myriad of moves, from simple short jabs to more powerful "smash"-like attacks. All of these can be combined to jostle, juggle, and jam enemies into submission. 

No time for a rope-a-dope, so just punch that chick into submission, Globule.

Globule even has a Smash Bros-like dodge used to evade enemy attacks at the last moment, as well as being able to use the same evasion move in midair to reach higher or further away areas. Regardless, she'll need all the strength and moves in her repertoire she can muster, as the six worlds in the game pit Globule against all forms and sizes of foes, including those in rooms sprinkled about the levels where all enemies must be defeated before she can move on.

Dodging can not only be done on the ground to avoid attacks, but also in midair to move higher and farther, too!

Levels are wonderfully done, offering plenty of verticality a lot of the time, a multitude of secrets that are smartly hidden but also well telegraphed to not give players a sense of "well, how was I supposed to find THAT?!", and lots of exploration. Yes, you can simply run from point A to point B to clear levels, but exploring them and discovering their cleverly laid secrets and optional areas really gives you a fuller appreciation of these levels. 

Bounce off these streetlamps with care, Globule, or else you'll find that oil's well doesn't exactly end well!

And, goodness, do the levels house some masterfully placed secrets. As stated, secrets are telegraphed well to the point of not being unfair, but also requiring real observance of Globule's surroundings and environments to discover. I'm referring to fake walls that have the telltale signs of being able to be broken through, or ones that require Globule to make a running start so she can eventually transform into a big blue fist to smash through otherwise impenetrable blocks.  

The main optional collectible in Decline's Drops reminds me a bit of the previously mentioned Yoshi's Island and its five Smiley Flowers per level. These take the form of Heart Fragments in Decline's Drops, and you guessed it--there are five per level as well. Most are located in out-of-the-way or hard-to-find or reach locations, while others are inside specific chests, requiring passwords to open. These passwords are situated on nearby signs and come in the form of hitting the chests in specific directions in a specific pattern (aka up punches, down punches, punches from the left, punches from the right). This is where I found that sometimes my punches wouldn't land as planned. What I mean by this is that sometimes Globule would punch twice, fouling up the chest's password in the process, or Globule would smash the ground instead of simply punching downward once. 

When given enough runway to speed across, Globule can transform on
 command into a giant fist to smash through certain objects and obstacles!

Either way, gripe aside, whereas collecting all Smiley Flowers in a world in later Yoshi games unlocked a secret level in the world they were collected in... well, that's actually the same case in Decline's Drops! Instead, a more difficult platforming-filled level known as a Vanitas opens up once all Heart Fragments are obtained in a given world. These seldom host checkpoints, require careful, cautious, precision platforming, and can get the palms mighty sweaty, too! Take it from me. They're enjoyable challenges all the same, however.

Otherwise, another collectible of the optional variety in Decline's Drops' levels is that of a red key. Collecting this and finishing the level with it brings about a post-level mini-game where you pilot Globule in a big blue glove form (she takes on a somewhat similar form when underwater) as you race through a labyrinth of corridors, pathways, and boost pads to beat a pod to the finish line. Winning these races unlocks new color pallet choices for Globule, and once all the races have been won, they net a bunch of Drops, the currency of the game.

There are a wide variety of platforming challenges and enemy types to contend with throughout Decline's Drops and its carefully and cleverly crafted levels. For instance, there are rails that send Globule grinding along their path which she must switch between with caution, Donkey Kong Country-like cannons that fire our puppet protagonist out (and hopefully not into peril) with proper timing, switches and levers that need to be activated to open up gates and doors, and sequences where Globule must make haste and retreat from a pursuing wall of pollution or else find herself instantly defeated. There are also ample opportunities for the game to shine in both its platforming and punching, throwing in puzzle elements, too, such as hitting floating yellow blocks with arrows on them. The direction Globule hits one of these blocks in, sends it flying in that direction until it smacks against a solid object. There are even plenty of puzzles that require you to get these blocks from one destination to another to open locked doors and reach new heights. 

Mind the rails, mind the gap, mind the pollution--heck, just mind EVERYTHING, Globule!

Fortunately, despite all of the trials and tribulations Globule faces on her adventure, checkpoints are fairly common throughout Decline's Drops. Therefore, repeating large portions of levels is seldom a common happenstance. That said, later levels do get incredibly challenging in both battles and platforming tasks. That isn't to say they require a professional's rank of platforming prowess to progress in the latter half of the game, but you will occasionally get stuck. 

This is especially true for the bosses, which pit you against one of the six Hydra heads in battle. These end-of-world levels, like any game worth its weight, relies on witness boss patterns, acclimating to them, knowing when to go in to attack, and knowing when and how to dodge each boss' offensive advances. These battles will take not just part of your cunning, but pretty much all of it to come out unscathed--or at the very least, the victor. I did appreciate the level of challenge of the bosses, and each time I failed, it was because I didn't properly dodge attacks or got too greedy. It was always on me, and never the game.  

The first Hydra to fight. "Hi, 'Dra! Why so angry?"

Fortunately, there are ways to assist Globule and the player in general on their adventure. An in-game shop run by a genetically-engineered ape named Serge houses a host of helpful trinkets and tools that Globule can spend her fiercely fought and hard-earned Drops to purchase. Only one particular trinket can be equipped at once to Globule, but these range from boosting her special attack, doubling her health, turning all of her special attacks into massive fireballs, and providing hints as to locations of the game's hidden goodies--to name a handful of helpful wares.

Decline's Drops is a rather meaty game all-in-all, coming in at around 10 hours for me, though I was methodically going through levels to make sure I collected every Heart Fragment along the way to unlock and complete the Vanitas levels, and also played through the final optional seventh world, complete with its own challenges, platforming perils, enemy types, and yes, a true final boss. I didn't, however, opt to aim for all of the time trials, and thus take on going after all of the gold times which seemed far beyond my level of play (and honestly, far beyond my level of commitment to the game either). That said, the option is there to add even more replay value and longevity to Globule's journey.

The art style of Decline's Drops is marvelous in presentation and appearance. The entire adventure is seemingly hand-drawn, and the first world definitely brings about an aesthetic reminiscent of Yoshi's Island, which was much appreciated to me, as a fan of that game. Future worlds offer the same beautiful hand-drawn goodness, offering detailed environments, backgrounds, easy to parse areas visually, and fluid animations all-around. Musically, I found the soundtrack to be very good. In fact, I am eager to purchase it on the artists' Bandcamp page to further support it, and that's not something I do often! Nevertheless, the soundtrack is full of memorable and rather nifty and neat themes that I will enjoy listening to outside of the game.

Decline's Drops is most certainly a looker with a charming, gorgeous hand-drawn delight of an art style.

While I wouldn't raise Globule's glove up and claim she and her premiere adventure are the undisputed champions or anything like that, I will say that Decline's Drops certainly surprised me with its high quality in precision platforming, engaging combat, and copious secrets in its well done level design. This mishmash of Super Smash Bros. gameplay and Yoshi's Island-like level design is one that I certainly enjoyed and can see myself coming back to in the future. Minor aggravations and gripes did pop up, and the difficulty of the game may be off-putting for many not used to Smash Bros. and its particular style of melee gameplay (and heck, even for those who ARE used to it). Overall, though, if you can dig a gorgeous hand-drawn 2D platformer with plenty of personality, charm, and character, as well as lots of action and platforming goodness to adore, then definitely "drop" what you're doing to take on the drop of a different variety with Decline's Drops.

[SPC Says: B+] 

SuperPhillip Elsewhere on the Web

Greetings, everyone! If SuperPhillip Central isn't enough video gaming content from yours truly, please consider checking out my YouTube, Instagram, and Bluesky accounts, where I post and sometimes cross-post from SPC!

SuperPhillip Plays is my YouTube channel, where I publish and share gaming Let's Plays, video top tens, and so much more.

SuperPhillip Plays on Instagram brings daily reels of personally-recorded gameplay from titles both modern and retro for your entertainment!

Finally, the latest addition to my social media efforts is that of Bluesky with an account dedicated to posting a mishmash of content in the form of new articles/reviews from SPC, fresh videos from YouTube, and new reels from Instagram. 

 

 

Kalanaro (Multi) Preview

We haven't done a preview of a game in such a long time on SuperPhillip Central. Do I even remember what a preview is?! Well, let's find out that answer together, as well as look into a game from my favorite genre, the platformer, with Kalanoro.

Kalanoro comes from Red Raketa Studio, an indie developer based in Madagascar. The entire game centers around Madagascan culture and Malagasy folklore. If you're completely ignorant on what any of that entails like I was when I was introduced to the game and demo, here's some quick background. 

The name "Kalanoro" refers to the human-like cryptids, beings believed to be spirits watching over Madagascar itself, said to bring good luck. Appearance-wise, they're small, short, bare fangs, and have unkempt hair that covers up their bodies.

Red Raketa Studio's Kalanoro begins with Kalakely, a Kalanoro creature, keeping to herself and enjoying life when suddenly a caravan of trailers fly by. They're all flying to start up a massive concert for a witch named Raneny, a self-celebration, as it were. Kalakely sets off on a bus to travel the island far and wide, rescuing and assembling a collection of lemur musicians that were captured by Raneny's troops, with the main goal of crashing Raneny's giant musical to-do.

Kalanoro is a top-down 3D platformer with nothing in the way of manual camera movement. It's somewhat similar to Super Mario 3D World with its perspective and level design, where Kalakely moves from point A to point B, bashing foes with her fists, hair, and weapons, as she performs various platforming feats through obstacle-filled levels.

The demo currently available to play offers four levels. The first level is a brief tutorial that sees Kalakely set off on her adventure and take to the bus. It teaches some basic moves, like being able to quickly dash around, either on the ground or in midair, phasing past objects like gates and fences in the process.  

This first level also introduces some of Kalakely's attack options, chiefly the ability to pick up weapons and use them on enemies. These come in the form of footwear like sandals, vegetables like carrots, and heavy tools like sledgehammers. Each weapon type has its own strength as well as its own durability. After a set amount of hits, it'll break on you, but there is an immense number of weapons strewn and sprinkled about stages that losing a weapon is never a bother. It just forces you to improvise further mid-battle and pick up another makeshift weapon, for instance.

The second level is the first real platforming challenge without safety nets and with things that can actually harm Kalakely. It brings forth collectibles in the form of scrolls and blue gems. Each level has a specific number of these to optionally collect, which can in turn be used to purchase helpful one-time or multiple use items in various shops throughout the game. The demo just had one shop available.  

The Kalanoro demo's third level brings Kalakely to a tropical beach and cove. The main mechanic introduced here was using Kalakely's hair to channel and transfer electricity from a working generator to a non-working one. Transferring power means opening locked doors and gates that would otherwise be impossible to pass. The earliest locked generator door revealed not only a treasure chest but also a little lost koala kid. Through picking the child up and taking them further into the level to their home, Kalakely earned her first five "fans". 

As Kalanoro deals with music and building an ensemble of musicians to combat Raneny's concert, it's important to not only build a band but also a following, too. This is where the "fans" mechanic comes in. The fourth level, a trek in and out of mines, is all about vandalizing posters featuring Raneny and putting Kalakely's crew's posters on top of them instead. Each poster placed in a level rewards new fans. These fans are not only used to build a following, of course, but they also act as ways of unlockable new areas/levels in the game. 

That's how the final area in the demo unlocks, after all. This final area is less of a level and more of a glorified rhythm game followed by a preview of a boss before the demo ends. It's as simple as hitting the correct button with proper timing when the prompt presents itself, all the while knocking away Raneny's goons who wish to disrupt the Kalakely and friends' mini performance. It's not much to look at--the performance, that is--from the beginning, but all bands have to start somewhere. I'm eager to see in the final version how large of a band and massive of an audience the end-game performances get in Kalanoro. 

Intermissions between levels put players back on the bus with Kalakely as she plays host to her lemur musician guests. It's not just as simple as saving or rescuing a musician and calling it a day for them. No, they're pretty high-maintenance, usually requiring food made from found ingredients in the platforming levels. Ignore a guest's desires at your peril, because as the game notes, ignored requests can make a musician become captured all over again. 

I'm hoping in the final version of the game that we won't have to babysit the characters too much, or that the timer for when a character will get captured again isn't too strict. I can imagine it getting tedious to repeatedly rescue characters that were already saved. That said, you're given a bounty of ingredients in levels just by simple exploring and playing the levels, so at least in the demo, running out of or not having a given ingredient was not an issue.

Speaking of issues, playing on my Steam Deck saw little in the way of performance problems. This was both in docked and handheld forms. Pausing mid-cutscene or mid-dialogue sequence, however, did cause the HUD to show up during these scenes, which I imagine is an unintended oversight. Otherwise, the game looks great, colorful, vibrant, and I really dug the music as well.

Kalanoro is shaping up to an enjoyable 3D platformer with lots of heart and better still, it's one that showcases the demonstrably rich culture and folklore of part of the world that doesn't get much representation in and even out of gaming. We'll find out how it all turns out when Kalanoro steps onto the stage for some platforming action on PC, PlayStation 5, Xbox Series X|S, and Nintendo Switch in Summer 2026.

A code was given to me by the developer for the purpose of this preview.

Mega Man X5 (PS1) Retro Review

We continue this month of Mega Man--MEGA MAY--with the fifth entry of the X sub-series. Mega Man X5 was meant to be the end of the X sub-series, but as we know, that did not come to pass. Was that good thing or a bad thing that X5 wasn't the final note from the franchise? Let's find out with the SuperPhillip Central review!

To X or not to X; that is the question.

It's decidedly a difficult challenge to review games in a vacuum, particularly games within a franchise's own series. When you've reached the fifth installment of a series, or in Mega Man X's case, sub-series, you have certain expectations you have to live up to. Mega Man X5 was originally planned as the finale of the X sub-series. For better or worse, the games continued after X5. With that and with reviewing games in a vacuum in mind, Mega Man X5 delivers a stellar and steady amount of action that one would want from the X sub-series, but it also stumbles as a sequel to even its most recent at the time predecessor. 

An encounter with Sigma after the intro level of the game sets the stage and events that transpire in Mega Man X5. The Eurasia space colony is headed towards Earth, which would result in the spread of the Sigma Virus at best, and the annihilation of the planet's population at worst. With little in the way of recourse and options, the Maverick Hunters hedge their bets on two plans: 1) a lunar cannon to destroy the colony before it can make contact with the Earth, and 2) having someone pilot a shuttle to crash into the colony, again before it destroys Earth. Either way, both plans require Mega Man X and Zero to enter into one of eight stages to secure the necessary materials for either operation to get off the ground, both figuratively and literally. 

Better Eurasia than Uranus heading towards us! (...I'm SO sorry.)

Mega Man X5 indeed takes a different approach to its formula. Yes, you still have eight stages at first to choose from, but the game highly encourages you to play the Maverick stages containing the necessary equipment to be used for the Lunar Cannon first. There's also a time limit, too. Every time you beat a stage or get a game over and switch stages, an hour ticks down until the colony is set to crash into Earth. The time limit given isn't too taxing or much of a concern, as you really have to try to have the countdown hit zero (the number, that is, not the Maverick Hunter). 

It's hard not to be reminded of Mega Man X4 when a starting select-able armor for X is
the Fourth Armor, directly from, you guessed it, Mega Man X4!

Even still, upon collecting the first four supplies needed to launch the Lunar Cannon, there's no guarantee it will work. In fact, most of the time you'll find the Lunar Cannon plan fails, thus it goes to plan B which is the manned shuttle option. The latter plan requires X and Zero to, of course, enter the other four Maverick stages. Generally, the shuttle will work, but there still is a chance of failure, however slight. 

Mega Man X5 is an interesting game, for sure, with its structure and story, but it's also a game that when coming off the superb, excellent Mega Man X4--one of my favorite entries featuring the Blue Bomber, period--it feels like an immense downgrade. Taken by itself without X4 in the equation, it's a quality entry to the franchise. However, most of Mega Man X5's players probably won't jump directly into this entry, thus X4's baggage will always be there.

X marks the spot for action, and you get plenty of that in Mega Man X5.

Essentially, Mega Man X5 is a case of "what if we took Mega Man X4... and made it worse?" Because that's what Mega Man X5 feels like. Level gimmicks and mechanics from Mega Man X4 such as Dark Necrobat's gravity flipping was seen in X4's Cyber Peacock stage, and it was done better there. The bike segment seen at the start of Volt Kraken's stage was done already in X4's Jet Stingray stage, and yes, it, too, was done better there. In fact, with the latter example, you can actually die in Volt Kraken's stage before the word "Ready" disappears! Whoever decided to have a bottomless pit that players have to manually jump over to start a stage before you're actually asked by the game if you're "ready", needs a lesson in acceptable game design. 

Other stages incorporate their own unique and exclusive to X5 mechanics and gimmicks. Burn Dinorex's stage, for instance, takes place in a volcano, where players start descending down into its depths. Eventually they stumble upon intermittent eruptions in the form of walls of instant-death flames. The only salvation here is to hide behind clearly marked sections of wall to avoid them. It's a clever mechanic and one that is quite exciting to contend with.

Other mechanics don't fare so well. Take Tidal Whale's stage. No, seriously, please take it, as it's not good. It's a tedious auto-scrolling stage where you're at the mercy of the auto-scroll and the sunken battleship either pursuing you or you giving chase to. Either way, it's a slow, plodding pace, and that'd be okay if it was a one and done deal. Instead, if you want to collect everything in the level, you have to play through the majority of this stage no short of three separate times! One to beat the stage normally, another to reach Dr. Light's capsule, which of course requires the special weapon you earn from this stage's boss, and a last run-through to climb the spikes housing where the stage's Heart Tank rests. 

Tidal Whale's stage plays a remix of Mega Man X2's Bubble Crab's level music... 
Unfortunately for Mega Man X5, it's another reminder of a better X game.

Mega Man X5 changes up how Dr. Light's capsules function, the first time in the X sub-series, as well, and also how future entries would handle them. Instead of getting a part for a new piece of armor and being able to use it immediately, you have to collect all four parts of the armor first before being able to assemble and use it as needed. There are two armor sets in Mega Man X5, and the first, the Falcon Armor which gives X the ability to temporarily fly over short distances, is required to get a fair number of pieces of the second armor, the Gaea Armor. This Gaea Armor can climb and touch spikes without the instant death that any other character would succumb to by touching a spike, but X also cannot use special weapons when equipped with the armor. Needless to say, there are plenty of places that require the Gaea Armor and require backtracking to previously completed stages to reach otherwise inaccessible goodies and items.

Instead of supplying X with a usable armor part immediately, Dr Light requires all 
four pieces of a given armor set to be obtained before using it.

Outside of capsules, there are the standard eight Heart Tanks (these bolster the amount of your maximum health) to optionally obtain in Mega Man X5, one hidden in each Maverick stage, and usually each require a special weapon or armor to reach. There are also two Sub-Tanks, which serve as health-restoring items that must be manually used within the menu, one Weapon Tank (weapon energy-restoring tanks), and some other collectibles that can add to the replay value as well of the game. Not only do they serve that purpose, but they also come in clutch for making this difficult game less so. Or, rather, they at least give the more novice or inexperienced players more of a fighting chance.

One of the eight Mavericks to battle, Burn Dinorex (I refuse to use the absurd North American names) heats up!

Let me interrupt my griping by saying that I know I'm giving a lot of crap to Mega Man X5, and that is purely because it's coming off such a phenomenal entry in the franchise, X4. Trust me when I say that X5 is still a highly competent and capable entry... even as I now continue to bash it some more. 

Coming off of Mega Man X4, you can't help but see how much the budget took a hit with Mega Man X5 as well. Long gone are the beautiful, cheesy-voiced anime cutscenes that were quite impressive for the time--heck, still are. Instead, what you get are slideshow cutscenes, with next to nothing in the way of animation. There's limited voice work, which further disappoints. Unfortunately, there are also plenty of interruptions to the gameplay as well. Alia is a character that serves as an operator of sorts to X and Zero while they're on the field, and she is sort of a quasi-Navi (a la The Legend of Zelda: Ocarina of Time) in how she interrupts you from figuring out things for yourself. But instead of a "hey, listen" and optionally see what Navi has to say, Mega Man X5 just stops you dead in your tracks to have slow text boxes of mostly obvious information pop up. 

What's a guy-a gotta do to get-a this Gaea armor? Well, find all four Dr. Light capsules, of course!

That said, with all of those gripes (and yes, there were many), Mega Man X5 is indeed a worthwhile entry. It did introduce some good things to the sub-series, such as the ability to crouch, for one, which makes dodging and avoiding enemies and their attacks much easier. There are also wires of both the vertical and horizontal variety that X and Zero can cling to in order to cross otherwise impossible chasms and reach higher heights. Awesome stuff, truly! These two added abilities put together with the tried and true run, gun, jump, and dash gameplay of previous Mega Man X games makes X5 almost play better than ever. X and Zero have far more utility available to them.

X and Zero can cling to similar ropes/wires like these to move up and down them for some added mobility.

This doesn't make the game any easier than past installments, though. Mega Man X5 is still very much a challenging game even on one's best day. But things like collecting Heart Tanks, Sub-Tanks, the lone Weapon Tank, and Dr. Light's generous armor upgrades, make for some things that definitely level the playing field, so to speak, in X and Zero's favor. 

On its own, Mega Man X5 is another X-cellent entry in the series, and the last entry in the series until X8 that was of a high quality, in this fan of the Blue Bomber's opinion. Of course, it's difficult to ignore X5's predecessors and review the game in a vacuum. With the sub-series' past as a point of context, Mega Man X5 did let me down back when and somewhat does now. As time has gone by and gone on, I've come to appreciate Mega Man X5 more, flaws and all. It may be a bit of a step down from past entries, but it also can stand on its own two feet as an enjoyable game all the same. 

[SPC Says: C+] 

Mega Man Legends (PS1) Retro Review

We're beaming down into a planned month of Mega Man retro reviews here at SuperPhillip Central. It's Mega May, and first we're exploring Kattelox Island with Mega Man's very first full 3D outing: Mega Man Legends. A PC port and a Nintendo 64 version called Mega Man 64 would later release, but this particular retro review covers the PS1 original. Let's get to it and kick this month of Mega Man off right!

Dig into a legendary mega-sized adventure

It's no secret that Sony wanted to distinguish itself from the competition upon entering the console market with its original PlayStation. It's also no secret that 2D games, such as the ones that Mega Man proudly was prominent in, weren't exactly welcomed with the most open arms on Sony's highly capable 3D gaming machine. Instead, Sony and PlayStation greatly encouraged and pushed for developers and publishers to enter the realm of 3D games. 

A year prior to Mega Man Legends, we saw Mario super successfully make the literal and figurative jump to 3D with Super Mario 64. Just under a year later, Capcom's Mega Man would attempt to do the same. No doubt making the leap to 3D for a lot of gaming franchises saw plenty of growing pains. I'm looking your direction, Sonic, but others did so with amazing gusto. 

1997's Mega Man Legends saw the Blue Bomber dive into full three-dimensions for the first time, and it's one of those games that stands somewhat at the middle of the road successes in properly transitioning from 2D to 3D. That said, it's certainly more of a success than a failure.

After a mission to pick up a rare Refractor Shard goes swimmingly, Mega Man Volnutt, Roll, and the rest of the small but loyal crew of the Flutter airship find themselves crash landing on Kattelox Island. Seems the lack of maintenance and TLC on the Flutter finally caught up with the little ship that could. In order for the Flutter to take to the skies again, another Refractor Shard is necessary, but in the meantime, Mega Man and friends have to contend with a group of pirates known as the Bonne Family, as well as deal with a hidden danger underneath Kattelox Island itself.

One such Refractor Shard that Mega Man and the Flutter crew of Diggers search for high and low.

Right away I was incredibly impressed by how well the story was put together. The voice acting in cutscenes and interspersed here and there is superb, though the sound balance can make some voice quieter comparatively to everything else going on. The lack of subtitles here is a downside, for sure. On the music end, Mega Man Legends contains a lot of catchy themes, with Apple Market, Uptown, the Support Car, Main Gate, and the Ending Credits' themes being my personal favorites of a lovely soundtrack in general. Conversely, the ambient soundtrack for the underground sections of the game do a fantastic job of making you as Mega Man feel intensely isolated.

The character models are relatively simple, but boy, does Mega Man Legends do a lot with so little!

For a game released in 1997, before The Legend of Zelda: Ocarina of Time set a new standard for 3D action-adventure games, Mega Man Legends is darn impressive for what it does with what little it has. For instance, even though the game utilizes a limited amount of polygons, it does so in a way that characters are surprisingly well detailed, and moreover, they're exceptionally expressive. The way characters express emotions and have different looks on their faces is just amazing. Draw distance is equally impressive, with environmental objects and geometry in the distance using a mist-like cover that goes away the closer Mega Man approaches.  

From a gameplay point of view, this was before Ocarina of Time's Z-targeting, and while Mega Man Legends has its own form of locking on to enemies, it must be done while Mega Man stands in place. Further, the lock-on targeting in Mega Man Legends will automatically lock on to the closest enemy, so if you're targeting a faraway foe, and another one enters closer into your range, Mega Man will target that one. Frustrating, for sure, especially depending on the scenario and situation. That said, this feature can be turned off and on within the options menu at the player's leisure.

Run and gun, Mega Man! Run and gun like your life depends upon it.

Additionally, the lack of a second analog stick for camera control and aiming makes things feel clunky, even at the time of release. Instead, the left and right front shoulder buttons are used for moving Mega Man's focus left and right respectively. Pressing the Circle button will quickly turn the camera to where Mega Man currently faces, which is paramount in certain contexts. 

Mega Man Legends follows a different approach to its structure compared to pretty much every non-RPG Mega Man game. There are no levels that can be chosen in any order, there's no ability to copy or learn defeated enemies' powers--it's an action-adventure game at its heart instead. It starts as somewhat linear, but opens up soon enough, allowing players to access more parts and portions of Kattelox Island, including the interconnected underground, the most dangerous part of the island itself.

The underground connects to the surface of the island in multiple ways. It's a network of labyrinthine rooms and passages full of mechanical enemies known as Reaverbots, as well as plenty of treasure to seek out. After all, that's what treasure hunters known as Diggers do, and that's what Mega Man Volnutt is! As players progress through the story, new parts and pieces of the underground open up, either because of access to new surface level areas or new equipment for Mega Man is earned.

Under Kattelox Island rests a maze of rooms, halls, enemies, traps, and treasures. Dig carefully.

Mega Man gets plenty of help from his crew throughout his adventure. Data the Monkey serves as a talking save point and recovery spot, as well as a hint-giver if players get confused on where to go next in the game. Meanwhile, Roll helps out by outfitting a busted van into a support car, able to fast travel to already unlocked locations around Kattelox Island. She also can turn discovered items and combine them into new weapons and gadgets for Mega Man.

This latter aspect of Roll's abilities is absurdly awesome. There are just over a dozen different weapons and pieces of equipment Roll can create with her whiz kid know-how, from rocket launchers and grenades to boots that allow Mega Man to jump higher or an adapter that grants Mega Man the ability to equip more custom parts that can increase his attack, energy, range of attack, and firing speed as long as the parts are equipped to him. The weapons can also be upgraded in various ways like attack power, energy, and special abilities, though this of course costs Zenny, the currency of Mega Man Legends (and a lot of Capcom games at the time, for that matter) to perform.

Even though Mega Man's got some serious explosive firepower courtesy of Roll,
sometimes it's best to retreat and fight another day.

Mega Man will need these new weapons, equipment, and upgrades as well, as he'll contend with all kinds of enemies and bosses in his adventure. Between giant inventions from the Bonne Family pirate group, the main villains for most of Mega Man Legends, to massive Reaverbots within the underground and at points that guard Refractor Shards, Mega Man and furthermore players will need to be properly outfitted for the battles that lay ahead.

This boss is all "bombs away" while Mega Man is all "I'm going away" from all those explosives!

Going back to the camera and auto-targeting, it can be quite difficult to jump and move around to avoid attacks while setting up spots to engage in Mega Man's own style of offense, all the while attempting to position the camera by holding the L1 or R1 shoulder buttons to spin the angle around just right. Really, it's like rubbing your tummy while patting your head... while juggling! It's rather clunky, completely convoluted, and can get mighty frustrating as well. This isn't a Mega Man game where you can just pelt foes with Mega Buster fire as you stand around. You have to be delicate, you have to get the right angles, and you absolutely cannot be greedy. It will cost you and by extension Mega Man otherwise.

Bad doggies! Don't you dare bite Mega Man's shiny new helmet!

Outside of following along with the story, reaching specific plot points, and battling bosses, Mega Man Legends features ample amounts of side activities to optionally take in and accomplish for some nice rewards. Various shops, especially the parts shop, house wonderful parts for Mega Man's Mega Buster, as well as jackets to increase his defensive capabilities (though these can be prohibitively expensive Zenny-wise) and items that can increase his maximum health. Side quests open up as the story progresses, such as saving downtown from a bomb threat, helping a trio of kids build up a makeshift hideout, and assisting a museum curator with museum donations. All of these and then some reward players with Zenny, new parts, items that Roll can used to build new weapons and gadgets, and more.

Mega Man Legends isn't too lengthy of an adventure, lasting about 6-10 hours depending on how much you try to complete, whether that be side quests or earning Zenny to purchase the more expensive items and upgrades within the game. Upon rolling credits, you have the option to play through the game in Hard Mode, boosting the amount of hits and damage enemies take and give respectively. If you manage to beat that mode in under six hours, an "Easy Mode" unlocks where Mega Man gets many of his upgrades immediately and all Zenny earned is massively multiplied. Thus, if the idea of beating the game twice to unlock an omnipotent Mega Man sounds enjoyable to you, that option for some added replay value is there. Otherwise, the standard game is more than fun and interesting enough as is.

Despite its growing pains, especially when it concerns the camera, targeting, and somewhat stiff movement, Mega Man Legends serves and served as a successful first 3D outing for the Blue Bomber. The amount of charm within the cast of characters, Kattelox Island and its inhabitants, and game in general is off the charts. I'm still amazed by how emotive characters were for a game released in 1997. If you can deal with some occasional jank, some periodic clunkiness, and some frustrations every now and then, you'll get great and charming action-adventure game featuring Capcom's famous super fighting robot.

[SPC Says: B-]