SteamWorld Dig 2 (NS, PS4, PC, Vita) Review

SteamWorld Dig 2 launched a couple of weeks ago on the Nintendo Switch, and then on multiple other platforms. SuperPhillip Central's review for the game covers the Switch version, but all iterations seem to play just as well. Here's my review.

A Diggin' Delight

Despite struggling to find a foothold or get a bearing on the market with its early efforts with WiiWare, Nintendo has built a relationship with the indie market that has grown immensely, resulting in numerous success stories ever since. One of the earliest of these stories came from a small developer known as Image & Form in 2013 when they released a little title known as SteamWorld Dig on the Nintendo 3DS. Countless games sold with multiple ports soon thereafter, and Image & Form became a known entity among gamers both on and off Nintendo platforms.

Now, it's four years later and a new chapter in the SteamWorld Dig franchise is here with SteamWorld Dig 2. Having launched first on the Switch, on a Nintendo platform just like where the first Dig successfully got its start, SteamWorld Dig 2 is ready for players to dig in to and discover the treasures inside.

If you played the original SteamWorld Dig (which by no means is a requirement to fully enjoy the sequel), you'll be quite accustomed to the exploration found in SteamWorld Dig 2. This consists of digging through blocks of dirt and rock with your trusty pickaxe, creating pathways to safely navigate your way through the darkened cavernous catacombs. This time around, however, the caverns are not randomized regarding block and treasure placement. And yep, you read that right. There be treasure in them there caves. With the randomization of the world design removed, this has allowed the designers to craft a much more well paced adventure, as well as show off their impressive level design skills in the process.

The deeper you go in this main tunnel, the better the treasures, but the more vicious the dangers!

While digging deep, the treasures you acquire need to be brought up to the main hub of the game, a machinery town at the surface. As you're limited in how much treasure you can carry throughout the game, constant trips to the top are necessary, but it's never anything where you collect a small amount and immediately find yourself needing to head up to the surface once again. With the treasure you collect, it gets turned into currency which can be used to purchase upgrades for your arsenal of ever-increasing tools, each discovered in a typical Metroid kind of way. These arsenal upgrades include everything from an extended light source from your torch, the ability to carry enough slot of treasure, and more power for your pickaxe, to name a few.

New tools and abilities for Dot are found in pods like these that are hidden underground.

Thus, there's a gameplay loop that is immensely satisfying on display here in SteamWorld Dig 2 where you're entering below the surface to mine, find treasure, return to the surface to sell said treasure, and use the money from your sold goods to purchase new upgrades. There is a "let's go for one more dig underground before I quit" type of feeling that ensures a compelling nature to the loop, showing off how well it was conceived by the designers.

Of course, there is more to SteamWorld Dig 2 than merely digging for, scoping for, discovering, and selling treasure. There is an entire adventure to be found, and in Dig 2 it involves Dot, a character who was in the background in the original game. This time around, she's in the starring role alongside a helpful companion named Fen. The story's too intriguing to spoil the good stuff, but the main premise has Dot searching for the hero of the first Dig, Rusty, who has mysterious gone AWOL. Dot's search leads her something that becomes even more of a concern. The combination of humor and seriousness is performed well by the writing theme, whether it's in the goofy NPCs or throughout the story itself. The point being is that it's all enjoyable to read.

A helpful discovery along the way, the grappling hook allows
unparalleled mobility, whether upwards, downwards, or to the sides.

Outside of finding treasure to sell and following along with the story through the game's several unique areas (that aren't all pure digging), there is a variety of things to discover in the world of Dig 2. As traditional for any Metroid-style game, there is the goal of shooting for a perfect 100% completion rating. This revolves around collecting over 40 artifacts and all of the cogs hidden throughout the world. Handing over a specific amount of artifacts in the hub village of Dig 2 results in gaining blueprints that add new capabilities to Dot's gear that the aforementioned cogs can be used on.

A town all the way down here? At least they have working lights!

These artifacts and cogs can be found all over the place, but areas in particular where they are discovered are in caves that serve as Dig 2's challenge rooms, requiring the player to solve them using one particular skill or tool from Dot's arsenal. These rooms are essentially ways for Dot (and by extension, the player) to show their mastery of a given gameplay element in Dig 2. While one cave forces Dot to dig and move quickly at once (or find themselves crushed underneath large rocks), another requires a clever mind, such as positioning a trio of mine carts in way that serves as platforms to reach a cracked part of wall. After all, Dot can't use her pickaxe in midair to break cracked blocks. These challenge rooms feature the grandest difficult tasks in Dig 2, outside of the trials that unlock after all of the main artifacts in the game have been collected. These trials are for true masters of SteamWorld Dig 2 only.

One such challenge room requires reaching the end without touching any buttons.

SteamWorld Dig 2 is an adventure that will last most gamers over 10 hours in their first run. If one finds the game too easy, there are certain blueprints that can be found and turned on to activate harder experiences with the game, such as explosive enemies, more damage taken, and so forth. Exploring the lands of Dig 2 for leftover treasure such as artifacts and cogs in faraway areas isn't so much an issue due to the helpful fast travel tube system in the game.

Those looking for one of the best indie games released not just on the Nintendo eShop this year but from any indie developer on any platform this year, look no further than Image & Form's SteamWorld Dig 2. It's much improved from the original game, offering a larger world, a more precise design focus to ensure a grander sense of pacing, and possesses a greater "I need to keep playing" mindset within its players. If you like Metroid-style games with a healthy dose of treasure-hunting and platforming fun, then yeah, you can probably dig SteamWorld Dig 2 like I very much did.

[SPC Says: A]

Review code provided by Image & Form.

SPC Interviews: Brjann Sigurgeirsson (Image & Form)

The folks at Image & Form have something very special they can boast about. Their game, SteamWorld Dig, has reached the number one spot on the Nintendo 3DS eShop charts in all territories. That's no easy task, or a task to scoff at. I recently caught up with Brjann Sigurgeirsson of Image & Form to discuss the studio's transition from children's games to games for a broader audience, the development of SteamWorld Dig, and the future projects the team will be working on.

Phil Stortzum (PS): Before we dive right into things, can you tell our readers a little bit about yourself? Things such as your experience in the gaming industry, why you decided to enter the industry, favorite games, etc.

Brjann Sigurgeirsson (BS): I'm 45 years old, got five kids and a dog. And a cat. And a fairly understanding wife. I started making small games on a system called ABC80 at the age of 13 back in 1980. Every pixel was as large as a lump of sugar, and I was programming in Basic. Those were the days! Then, in 1991, Apple released System 7 and I happened to live in Tokyo. The company I worked for switched into a multimedia outfit, and we made a lot of questionable titles that weren't really games, but these days would have fit into the genre called "gamification". It was quite interesting. There were no rules for these multimedia titles, the whole industry was learning as it went along.

My favorite game of all times is chess. I've played it for as long as I can remember, and I still play a few games every day. It's the greatest game ever invented. It's simple, it's complex, and it's FAIR. There's no luck, no hardware advantages, no lag issues... just two minds pitted against each other. It's wonderful, and it's fresh every time.

For video games, I'd like to mention a game called Spaceward Ho! for the Mac. It's also an old game, but it was fairly recently ported to the iPad. Lovely space explore & conquer game, fantastic in depth and charm and quite unknown to most. The Monkey Island titles are superbly quirky and funny. And obviously everything where Sid Meyer has been involved in. After the first batch with Space Invaders, Defender and the like, my first real arcade game affair was with a game called International Karate. Low-res graphics, good controls... very gratifying.

PS: How did Image & Form come to be?

BS: Image & Form, besides having the worst name in the gaming industry, for the longest time wasn't even a game studio. My wife at the time and me started out after many years in Japan, followed by a couple more in San Francisco. We were waiting for multimedia to catch on in Sweden, so that we could go home and find employment. We had done quite a few different multimedia things by then, and thought we would be kickass employees. When we moved back to Gothenburg in 1997, we applied for work here and there - and got all the jobs we applied for. This made us cocky enough to start our own business, and the name was a worst-case compromise. We made a lot of presentations, graphic design and websites the first years, and didn't get into real game development until a Norwegian publisher asked us a save a sinking children's game in 2002. Then we made more and more of those edutainment games (using ole faithful Macromedia Director), until we one day realized that we were a game developer.

PS: Image & Form previously worked on many PC games for younger players. What made the studio decide to shift focus and make games for older audiences?

BS: At one point, when we were nearing 30 titles in the franchise, we understood that we had to do something else. We were eight people at the time, and everyone was creatively starved. Plus the fact that sales of physical PC/Mac CD-ROM games was starting to decline quite rapidly. We had to do something else. The App Store was opening its doors at that point. Great things were afoot.

PS: What made the team decide to move from PC to iOS devices/Nintendo 3DS? Will you return to PC development in the future?

BS: We moved out of necessity - see above. In 2010 we released our first Nintendo DSiWare game called SteamWorld Tower Defense. It surprised us by breaking even in a quite terrible marketplace, but we also were scared of doing more things for the Nintendo DSi. It was a much smaller market than we had expected, and we didn't want to go into distributing physical games - we were determined that the future lies in digital distribution. We made a couple of poor-selling iOS titles, and then we suddenly had a major hit with Anthill for iOS towards the end of 2011, which was selected as iPad Game of the Week and won awards and nominations. We weren't really prepared for it, and it feels like it went away as quickly as it had come. But we felt that we could actually create great games. It shattered a glass ceiling of sorts for us.

We will most likely return to PC development, and probably sooner than you'd expect. The possibilities there are greater than ever.

PS: What changes did the team experience from the jump from making PC software to making games for mobile/handheld devices?

BS: It's a big difference, especially if you factor in that we went into developing for a radically different audience. So it was a huge leap: new platform, new tech, new consumers. In retrospect, it looks quite daring, but we didn't know what else to do - it was either that or leaving game development.

We found that mobile development was very different from mastering physical CD-ROMs. In many respects, it was simpler and less scary. But at the same time, the PC/Mac titles we made were work for hire, and so we were leaving a very comfortable spot and going into the great unknown. Since we had been "hiding" behind a publisher the whole time, we didn't have any good press contacts etc. It took us a while to get used to this new role.

PS: All of the developers we have spoken with so far have stated that working with Nintendo is much easier than before. How is working with Nintendo, in the team’s view? Are they, indeed, easy to work with?

BS: I couldn't agree more. Nintendo has been friendly and personal, while the application and submission processes are almost as hard as before. It's a good thing, since it means you're likely to continue seeing quality titles on Nintendo's platforms. Less serious developers will shy away from the hassle.

But the biggest change probably occurred here in our office. With SteamWorld Dig, we weren't as intimidated by The Big N as we were when we put out SteamWorld Tower Defense for the DSiWare Store.

PS: Do you believe the eShop is satisfactory in its current shape? If not, what would you improve?

BS: I would like to see more games, but not at the cost of quality. The App Store has an amazing variety of games, but it's getting harder and harder to find what is good and what is not, and I wouldn't want the eShop to be in the same position. I also believe that Nintendo should make some special category for third-party games. We managed to beat their own titles on their home ground (with a lot of help from Nintendo themselves!), but I think SteamWorld Dig is a very unusual animal and it's not a thing that will be repeated easily. It's tricky when the platform owner has the capacity to plug their own games, it could easily become unfair. So an "indie shelf" or the like would be very interesting, as long as it's not tucked away in some dark corner.

PS: For those that are unfamiliar with your new game, what can you tell our readers about SteamWorld Dig? What makes it compelling compared to all the other titles released on the Nintendo eShop?


BS: In SteamWorld Dig, you take the role of Rusty, a robot newcomer to the ailing mining town of Tumbleton. You take over the mine from your Uncle Joe (who's gone missing), and start digging down to find out what is going on. You dig, you fight, you climb up and down, find lots of strange stuff... and face the ultimate showdown in the end.

SteamWorld Dig has some elements that appear in classic games, but it's not like any other game. We like to call it a "platform mining adventure": the controls are those of a platformer, the objective is mining, and the background story makes for excellent emergent gameplay. You can play it in different ways, slow or fast, and still not do it "wrong" - it caters to both explorers and speedrunners. The visuals are stunning, and the gameplay mechanics are fantastic and deep. It's a gamer's game, and should appeal to everyone who likes classic games.

PS: Where did the inspiration for SteamWorld Dig come from? Did any other games influence its creation?

BS: There are a lot of digging (and non-digging) games that obviously inspired us, but the biggest inspiration came from Dig's spiritual predecessor, SteamWorld Tower Defense. After we had released that game, we would sit and discuss how this strange world had come about, where robots were the friendly master race and humanity had been demoted to living underground as greedy, unsympathetic trolls. We always wanted to expand on the story, and finally decided to go for it.

PS: How long was development for SteamWorld Dig? Were there any issues, problems or challenges the team had during development of the game?

BS: We started developing SteamWorld Dig in October 2012 and submitted for lotcheck at the end of June 2013. For us, that's a very long development period.

The main issue appeared some 2-3 months into development: the game simply wasn't fun to play, and early testers were looking at us with "what am I supposed to do now?" expressions on their faces. We decided to take a step back, not develop anything for a few days, and just brainstorm around this problem. We then made some bold decisions, to introduce the wall-jump that we'd been avoiding - we thought the game would just be too short if you could dig vertically down and jump up the same way instead of having to zig-zag your way down - and to shorten tutorials to a minimum. Rather, let people find out for themselves what they're supposed to do, and don't let them go until they've learned it.

PS: What is the team most proud of regarding SteamWorld Dig?

BS: I think different people are proud of different things. Art director Tobias Nilsson and his team of graphic artists are - and should be - proud of everything they did: the characters, the environment, the lighting, and the special effects. Lead designer Olle Håkansson and the programmers have created an amazingly compelling gameplay, which doesn't let you go. Script writer Peter Broqvist should take pride in scaling back the background story to a minimum - people don't have to be told exactly what's happening the whole time, it's very gratifying to read between the lines.


I'm proud of the team's commitment throughout the process. It's easy to realize at one point that a game isn't going to be as good as you hoped and then simply continue "to do what you're told to." When SteamWorld Dig needed fresh ideas, the whole team pitched in and put it on the right path again.

I'm also proud that we managed to get to the #1 spot in all the territories. For an indie title, it's a near-unattainable achievement. But that's not something we did by ourselves - a lot of selfless people have helped. It's easy to root for the underdog - and wonderful to watch that underdog win.

PS: How is it being an indie developer in today’s video game industry? Do you encounter any struggles? Is there any sort of risks involved?

There's the everyday challenge of making the right decisions. If we bet on the wrong game or on the wrong platform, we're out of business. Complete failure is potentially never further away than the next title. There is personal financial risk and dependencies. If the wrong people quit, you can't simply call in the next ones from the bench.

That said, being an indie these days is very exciting. Nintendo, Sony and Microsoft have understood there's a vacuum or window of opportunity right now, when many indie developers realize that they're simply not making money on mobile.

PS: Are you able to divulge any hints about future projects? Does the team at Image & Form have an idea or two on what they’d like to develop?

BS: Right now we're working on three things:

- where to take SteamWorld Dig next

- the next installment in the SteamWorld series (mind you I'm not using the word "sequel"), and

- a wonderful iOS game called Spin Demon.

We are full of ideas the whole time, and have around 10-15 strong game ideas that we would like to realize one day. Most of them are unique and very different from each other.

PS: Does Image & Form have any desire to enter the console marketplace for your digital games? Is that a possibility for the future?

BS: Yes. And yes. :)

PS: Is there a possibility of porting SteamWorld Dig to the PlayStation Vita, or creating a completely new game for Sony’s handheld?

BS: Yes. And yes. :D

PS: Is there anything else you’d like to specifically say to our readers or anyone passing by?

BS: Play more games. Or rather, play more GOOD games! Life's too short to play - and develop - mediocre, subpar or me-too products. So look for quality. It's out there.

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We can't thank Brjann Sigurgeirsson and the gang at Image & Form enough for their time. It's never easy going through an exhaustive list of questions, but Brjann did so splendidly. Be sure to check out SteamWorld Dig on the Nintendo 3DS eShop if you haven't already. SuperPhillip Central hopes to have more interviews coming down the pipeline.